More like… NOTHING was gained by this entire fight!
I’m still waiting for the announcement of a second season. Not because I like this series, but because the second half had the sort of pacing where a second season would be recommendable. And without it you get a shitty ending like the one this episode portrays. This series never has been very inspired in its creative choices but this series’ finale feels almost like a capitulation. Somehow they needed to find a happy end for everyone and so they tried to find one – even if dramatically speaking it’s a weak one.
Wait, why is the alcoholic war-veteran the only one dispensing sensible strategic and tactical advice among all those military-people? Also, why are all the other relevant military-characters in this series women? Why is Marito the only one who seems somewhat competent among all those military-people that have been introduced until now…?
Zankyou no Terror really reminded me of the whole nuclear history Japan has. It’s a tragic history… which means it’s great material to use in fiction! This episode, for example: The imperialistic Martian Vers-Empire destroys Tokyo with meteors that form a mushroom-like cloud just so that they can claim ownership of another part of the world. Look, I would like to think this is more a series trying to play with history-based imagery than actually engaging with historical commentary, but who knows… this is the fourth episode. It doesn’t have to mean anything really! Just look at Man Of Steel and how that movie used 9/11-imagery. That movie didn’t really have anything to say about the whole 9/11-incident and still it used that imagery.
Man, I never knew that stealing stuff follows the same rules like The Price Is Right…
I can’t imagine any manga-author wanting to see a terrible anime-adaptation of his work. After all, most of the time the source-material is still an ongoing series so in many ways the anime is more of an elaborate ad for the original series. Sure, some directors like Shinbo and Shaft for example try to give the series their own spin but most of the time the anime tries to stay true to the source-material. But imagine stuff like seeing the anime-adaptation of your manga and finding out that someone decided some scene needed more fanservice. Would you be happy that your series gained new readers supposedly based on THAT…? But I guess, you have to sell these animes somehow, if having an artistic vision is something only the hotshot-directors of the anime-business are allowed to have. This time I review:
Aldnoah.Zero 03: Earth’s fucked. Luckily there’s a cool teenager, named Inaho, to unfuck things.
Tokyo ESP: Bad shit’s happening in Tokyo. Where’s the White-Haired Girl, you may ask. No, wait, that’s what the episode asks. What you ask is probably: Who the fuck is the White-Haired Girl?! Well, good that you ask because it’s a rather long story as in that it’s exactly one season long but that’s too long so the story starts shortly before the final couple episodes and then goes back to the beginning where what happened shortly before the finale doesn’t matter at all. Ga-Rei-Zero did a similar thing, so why not do the same thing again, right? After all, it sounds like a GREAT plan…
For such a simple message, there sure are a TON of scenes in the second episode, simply repeating this line in terms of tone and actions.
Aldnoah may not be very blunt about it but so far… it’s a mecha-series. Challenging odds, tons of battles, big speeches about war and peace and the type of drama that could be easily solved by a reasonable dialogue: Aldnoah has it all! Except…! Its first two episode… actually, make that its first THREE episodes, are a prologue. Considering how the series has yet to say why anyone should give a shit about it, that’s a rather ballsy move.